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・ The Magic Hour (album)
・ The Magic Hour (talk show)
・ The Magic House
・ The Magic House (film)
・ The Magic House (puppet show)
・ The Magic House, St. Louis Children's Museum
・ The Magic I.D.
・ The Magic Is You
・ The Magic Is You!
・ The Magic Key
・ The Magic Key (song)
・ The Magic Key of RCA
・ The Magic Knight
・ The Magic Labyrinth
・ The Magic Labyrinth (board game)
The Magic Land of Allakazam
・ The Magic Lanterns
・ The Magic Lie
・ The Magic Loungeabout
・ The Magic Machines
・ The Magic Magicians
・ The Magic Make-Up Box
・ The Magic Mirror (ballet)
・ The Magic Mountain
・ The Magic Mountain (1982 film)
・ The Magic Mountain (2015 film)
・ The Magic Mousetrap
・ The Magic Mrs. Piggle Wiggle
・ The Magic Mushrooms
・ The Magic Number


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The Magic Land of Allakazam : ウィキペディア英語版
The Magic Land of Allakazam

''The Magic Land of Allakazam'' was the name of a groundbreaking series of network television shows featuring American magician Mark Wilson. It ran from 1960 to 1964 and is credited with establishing the credibility of magic as a television entertainment.〔(【引用サイトリンク】''Magic changes with the times 1930-1975'' )
==History==
The origins of the series were in a locally broadcast show that Wilson arranged in Dallas, Texas, in 1955. That grew into other shows in Houston and San Antonio. With the introduction of videotape, Wilson created ''The Magic World of Allakazam'' as the first magic show to be videotaped and nationally syndicated. It debuted on 1 October 1960 on CBS and aired every Saturday morning on that network for two years. Wilson's wife, Nani Darnell, and their young son, Mike Wilson, assisted him and they were joined by Bev Bergeron who played the character Rebo the Clown. Other cameo appearances by Bob Towner, Robert Fenton and Chuck Burns played occasional characters on the show.〔(【引用サイトリンク】''The Magic Land of Allakazam'' )〕〔(【引用サイトリンク】''The Magic Land of Allakazam'' )〕 The shows were in black and white and were sponsored by Kellogg’s Cereals. They followed a formula that Wilson devised and which he believed was essential for the success of magic on television. This was that there should be a live audience, that there should not be a cut from one view to another during a trick and that viewers should know they were seeing exactly what the studio audience saw.〔
In 1962, the show moved to ABC without missing a week on air. In 1965, the series left ABC and was internationally syndicated. The series was one of the top shows in the Nielsen ratings for Saturday mornings. It has been cited by a number of famous magicians as an early inspiration.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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